0 Burton to Tackle Disney's Next Live Action "Fairy Tale" Dumbo ("Dumbo" is a fairy tale now?)

FTNH: *Answers incessantly ringing phone* Hello?

Chirpy PR Person: *yelling*"The famous flying elephant fairy tale is coming to the big screen - as live action!"

FTNH: *winces* Um, Dumbo isn't a fairy tale.

Chirpy PR Person: "But it's Disney and Tim Burton is directing it!"

FTNH: Those are not the criteria for a fairy tale.

Chirpy PR Person: "Oh pshaw - it'll be BIG! Bigger than BIG! It'll be..."

Buddhist Folktale - The Elephant Girly-Face

FTNH: A circus.

Chirpy PR Person: "Well, yes!"

FTNH: -sigh-

Chirpy PR Person: "Doesn't it at least qualify as some sort of folktale? Or urban legend?"

FTNH: Can you think of one?

Chirpy PR Person: "Er, well how about that line "have you ever seen an elephant fly?" and the horse fly, house fly stuff? Isn't that some sort of folklore-y thing?"

FTNH: You're going to make me do the Grumpy Cat face.

Chirpy PR Person: "You mean.. flying elephants have NOTHING to do with fairy tales and folklore?"

FTNH: Well, if you must tie something in, it would probably be regarding the Indian legend of the origin of elephants.

Chirpy PR Person: "And how does that go exactly?"

FTNH: Well, one version says, that after the sun had been hatched out of some giant cosmic egg-thingy, Brahma (supernatural head honcho, god-style) picked up the left over shells and started chanting, only to have an amazing white creature emerge (aka the original elephant), followed by a couple of dozen-plus cloud elephants. These elephants and their elephant-kids could fly around...

Airavata-the elephant by Yuti

Chirpy PR Person: *interrupts* "Did they have huge ears?"

FTNH: *glares at phone*... and even change shape when they wanted to, but their partying disturbed some old grumpy dude who decided enough was enough, cursed them and clipped their wings - in some versions they have actual wings. Basically, they lost all their flying abilities and were stuck on the ground forever. ‡

Chirpy PR Person: "Harsh."

FTNH: *shrugs* Stuff like that happened a lot way back when, apparently.

Chirpy PR Person: "Soooo... *brightens* elephants have been part of circuses for a long time then!"

FTNH: What? No! They were free, not in cages performing... look, it's a legend and has nothing to do with circuses.

Chirpy PR Person: "But this will!"

FTNH: We're back to that, are we?

Chirpy PR Person: "'Cause it's going to be BIG!"

FTNH: Alright - make your announcement thingy and then we can call it quits because there are lots of elephants folktales and fables but they're a long way from anything remotely like Dumbo.

Chirpy PR Person: "Except for the cloud elephants."

FTNH: *Grumpy Cat face*

Chirpy PR Person: *Hurriedly pulls out press report and reads*:

"Disney is betting that the man to make you believe an elephant can fly is Tim Burton. The filmmaker behind “Pee Wee’s Big Adventure,” “Batman,” “Big Eyes” and “Alice in Wonderland” will direct Disney’s coming live-action remake of “Dumbo,” Walt Disney Pictures president of production Sean Bailey said. ... The film is expected to be a mixture of computer generated effects and live actors, although details on the project are still scarce at this early stage of development. Mr. Bailey would only say of the plans for a new “Dumbo” story that “It’s a big world,” indicating that the story will be broader than the original tale of a circus elephant with large ears who learns to fly."

FTNH: By "big world" you mean the movie will be longer than the lovely concise 64 minute classic storytelling Dumbo is.

Chirpy PR Person: *ignores comment* "And it will be Circus-Circus! Burton loves a good circus motif so this is going to be..."

FTNH: *interrupts* A 90 minute version of Pink Elephants on Parade, Burton style? *shudders*

by Ruth Sanderson

Chirpy PR Person: "Can't you give me one thing to hang this on? I mean, Disney is going to be all: "This is our new live action fairy tale" about it, and people are going to call it that too, so can't you think of some reason to get excited about it?"

FTNH: Well, there are a lot of fairy tales about magic feathers...

Chirpy PR Person: *even chirpier* "There you go! Disney's newest live action fairy tale project doesn't have a release date yet, nor do we know what kind of "magic" Burton will use to make this classic story a reality but you'll believe..."

FTNH: *interrupts* I know, I know: anything is possible - even ruining one of the best films ever made.

Chirpy PR Person: "That's not what.."

FTNH: *Presses END CALL* - HEADDESK -

by  Larry T. Quach

Source: HERE

Note: This better not be why Ringling is taking another two years to finally stop using elephants in their circuses.

‡ See another folktale about flying elephants from Soara, India, HERE.

Detail: Burton to Tackle Disney's Next Live Action "Fairy Tale" Dumbo ("Dumbo" is a fairy tale now?)

0 Tim Burton's Long Lost Disney Project: "Hansel & Gretel" (1982)

This "long lost" film resurfaced on YouTube last year while I was in recovery and I found my note to myself to post the news on OUABlog when I returned, just today. (The images included are some of Burton's concept art for the project.)

A little background:
The film was conceptualized and created by Tim Burton whilst in Disney's employ. It aired one time only on Halloween night in 1983 on the The Disney Channel, due to the Disney Executives horrified reactions when they saw it on air, and I think, in this instance, they were right. It doesn't really fall within the Disney branding, and I wouldn't have been pleased to find a little one watching this either! (Did no one check the show before it aired? Yikes.)

The film was included in the MoMA exhibit that featured Burton's earlier and lesser known works and history a few years ago but hasn't been available to see anywhere before or since (except in Paris for a similar exhibition).

The movie is usually classified stop motion, though it uses real (amateur) actors, all of whom are Japanese*. (Note: it's also Tim Burton's first time working with live actors, which may be apparent in the quality of performance, though his direction is often very imaginative.) In yet another interesting choice, (especially for the time period) the same male actor plays both the Stepmother and the Witch. Seen throughout are designs now considered "Burtonesque", many of which might be considered precursors to other film designs seen in Frankenweenie and The Nightmare Before Christmas. There's interesting use of birds in this one too (duck and swan in particular), and that little toy duck looks remarkably like one Jack Skellington has Halloween town make as one of the presents.

From Wikipedia:

Filmed for $116,000 on 16mm, this live-action short film featured a cast of amateur Japanese actors, kung fu fights (despite kung fu being Chinese) and Japanese toys, as Burton was obsessed with Japanese culture at the time of production. The film's design style and color schemes paid homage to the Godzilla movies and is said to be heavy on special effects, making use of front projection, forced perspective and even some stop-motion animation.

Here you go. Enjoy! (Or, be creeped out):

CAST--------- 

Hansel - Andy Lee 

Gretel - Alison Hong 

Stepmother / Wicked Witch - Michael Yama  

Father - Jim Ishida 

Dan Dan the Gingerbread Man (voice) - David Koenigsburg 

Features early work by Stephen Chiodo of the Chiodo Bros. Studio as well as the late Joe Ranft of Disney and Pixar. 

Music by John Costa of Mr. Rogers' Neighborhood fame!(source)

Can I just say: I'm just not going to ask what the Father did to the Stepmother, and I will stick with my regular Gingerbread Men, thank you very much!

* Has anyone else noticed the Asian (specifically Japanese) fascination with Hansel and Gretel? I wonder what it is about the tale, exactly?

Detail: Tim Burton's Long Lost Disney Project: "Hansel & Gretel" (1982)

0 Annie Leibovitz's "The Red Shoes"

Dancing Days

 

A trained ballerina, Adams starsin a reimagining of Hans Christian Andersen’s The Red Shoes,with her Big Eyes director, Tim Burton, as the cobbler whose shoes ensorcell a young girl.(Note, he appears to be making her new feet...)

This December 2014 fairy tale photoshoot for Vogue was quite the surprise to many geek and pop culture writers online. Here we have Tim Burton as the Puppet Master and Amy Adams as Karen, giving you an insight into their film Big Eyes. I'm thinking this is because they weren't initially familiar with Andersen's "The Red Shoes", looked up the plot on Wikipedia and flipped out over the gruesome. Annie Leibovitz's fairy tale shoot sensibilities tend to lean heavily toward the happily ever after, Disney branding (after all, she is THE Dream Parks fairy tale campaign photographer), but this is... not that. 

It does, however, pay great homage to the classic (and wonderful) film The Red Shoes, the connection of which I'm sad to say seems to have been lost on most commenting on the images online. It also means that the opportunity of paralleling the trials, addictions, self-destructive/crippling mentality, tragedies and, yes, also transcendence that can occur in the life of true artists, has been lost on them too, not to mention the fact that this held true, in many ways, for Andersen himself.

The Puppet Master - Yes Amy Adams really is en pointe here

Citing Andersen's true-life inspiration for his fairy tale The Red Shoes, it's easy to see how he saw the incident as a graphic metaphor, and one that certainly would have been very impressionable (especially when you consider that leather is actually skin...): 

Andersen explained the origins of the story in an incident he witnessed as a small child. By his report, his father was sent a piece of red silk by a rich lady customer, to make a pair of dancing slippers for her daughter. Using red leather along with the silk, he worked very carefully on the shoes, only to have the rich lady tell him they were trash. She said he had done nothing but spoil her silk. "In that case," he said, "I may as well spoil my leather too," and he cut up the shoes in front of her. (Wikipedia)

Big Eyes, the story of the real-life (and still living) artist Margaret Keane, (film directed by Burton with Adams as Margaret herself) has received quite a bit of criticism for its bleakness (and possibly lack-of-typical-Burton-ness). Leibovitz's promotional photo shoot, however, gives color (as in, emotional texture as well as on the light spectrum) to an otherwise drab-looking movie and finishes it on a more positive and impacting image than the movie is reported to do, as you can see below. (Not having seen it personally, I'm told we have 'positive resolution' mainly in the form of text on the screen, letting us know how things turned out well in the real world, but no lasting visual impression of this from the film itself).

Wings of Desire

 

The magic shoes bring the dancing girl to a cliff, where she is transformed into a bird. Leibovitz looked to Barbara Bazilian’s 1997 retelling* (see synopsis at end of post) of Andersen’s fairy tale. Alexander McQueen ivory ostrich-feather dress. 

Big Eyes is still showing in my local theaters but it's not one I'm in a hurry to see. I might have been interested, however, if The Red Shoes, was the vehicle, or touchstone, that Burton used to tell poor Mrs. Margaret Keane's story, because the parallel works quite well. 

As it is, though, this is as close to fairy tale as that film is going to get. A pity really, since much of the unique (at that time) big-eyed art, would be a great doorway into the fairy tale soul of this story, complete with all its heartache and triumph. 

-sigh- I think it's time to watch The Red Shoes again.

Léonide Massin as the Grischa Ljubov/The Cobbler and Moira Shearer as Vicky Page/Karen
in the classic and filmmaker favorite film, The Red Shoes

Additional sources: here and here

* Synopsis on the 1997 Bazilian retelling from School library Journal: The only elements of Andersen's story that Bazilian retainsare the name of the heroine and the coveted red shoes. Karen saves her spending money to purchase the shoes, and the shoemaker warns her to be careful about what she wishes. She dances brilliantly in the shoes but is troubled that it is increasingly difficult to remove them. Finally, after the ball where she dances all night, she cannot remove them, and she cannot stop dancing. Exhausted and frightened, Karen approaches a cliff and wishes to become a bird. Her wish is granted, and when she returns to her grandmother, she repents her vanity and is restored.

Detail: Annie Leibovitz's "The Red Shoes"