Showing posts with label casting. Show all posts
Showing posts with label casting. Show all posts

Casting: Disney's Live Action "Beauty and the Beast" Closes In On Finalizing Mains

Fan art poster for the upcoming movie by Prateek Mathur
(lovely speed-motion "making of" video at link)
The Downtown Abbey cast must be on high alert for Disney reps, now that a second cast member of theirs, Dan Stevens, has nabbed a starring role in a Disney live action fairy tale. Stevens will be Emma Watson's Beast (confirmed by both Disney and Stevens less than 24 hours ago).

His nemesis, Gaston, will (likely) be played by Luke Evans, star of Dracula Untold and also from The Hobbit. (Evans is in talks but as yet unconfirmed.)

Here's a little extra from Screenrant on the actors just cast and where you might have seen them before:
Stevens, in the years since he played would-be Downton Abbey heir Matthew Crawley, has found his niche as a character actor. His resume now including solid supporting turns in such films as The Fifth Estate and A Walk Among the Tombstones, as well as a memorable lead performance as a mysterious military vet in last year’s action/thriller throwback The Guest – and, most recently, a scene-stealing comedic appearance as Sir Lancelot in Night at the Museum: Tomb of the Emperor. 
...Evans is up to play the film’s villain Gaston: a brawny and vain hunter who, concerned solely with her attractive appearance, becomes determined to make Belle his wife. The most recent script draft for the Beauty and the Beast live-action feature was penned by Stephen Chbosky, who also directed Watson in the film adaptation of his own novel,The Perks of Being a Wallflower. Calling the shots here, however, is one Oscar-winner Bill Condon (Dreamgirls) – who, as it were, previously teamed with Stevens on Fifth Estate (the 2013 Julian Assange memoir). 
Condon wins Best Adapted Screenplay for
"God and Monsters"
Both Condon and Watson previously indicated that the plan is to carry over Howard Ashman and Alan Menken’s songs from the 1991 Disney animated Beauty and the Beast feature into the live-action version – with Condon having told EW that modern filmmaking tech will allow them “to bring that brilliant, amazing score and beautiful story into three dimensions.” One just wonders if any of the original tunes from the Broadway musical adaptation will also make the cut. It could be fun to watch Stevens perform a number like “If I Can’t Love Her”, after all.

So, at a glance, the movie cast will look a little like this (though it should be remembered that Beast is a beast for most of the film - at least, in the animated one and there's no news yet on just how that will be handled):

 Belle: Emma Watson - confirmed
 The Beast: Dan Stevens - confirmed
 Gaston: Luke Evans - in talks (TBC)
 Mrs. Potts: Emma Thompson - in talks (TBC)
Quite the gorgeous British collection so far, don't you think?

Beauty and the Beast begins filming later in 2015 with the vague chance of a late 2016 release, but more likely to hit theaters in 2017.

Casting News: Emma Thompson in Talks for Mrs. Potts

The Oscar-winning actress is in negotiations to play Mrs Potts, the housekeeper turned into a teapot, in the live action film version of Disney’s Beauty And The Beast. 
The kindly Mrs Potts helps Belle, the tale’s heroine, sort out her romantic entanglements. Emma Watson will star as Belle. 
Director Bill Condon has been working with composer Alan Menken about which songs from the 1991 animated movie will feature in the new picture. (Source)
So will this be for her voice only, or her voice and an appearance at the end or ...?

Right now I'm having trouble imagining how the enchanted objects aspect of Disney's Beauty and the Beast will work for a live action film.

I've always been enamored of the invisible servants approach myself.





Emma Watson Is Disney's New (Feminist) Belle


You've heard the news: it's been EVERYWHERE (Heidi of SurLaLune was so right - even though I was offline for the better part of three days I still heard about this!) but I thought I should clarify those things that confused me when I heard (so, perhaps other people too) as well as why this is a "to be watched" development.

Emma Watson has been expected to be a Beast's Beauty (of one film or another) for at least four years, since Guillermo del Toro chose her for the lead in his live action adaptation. When things on that production dragged out and schedules got shuffled, the film stalled, with del Toro eventually steeping down from Director and just remaining on as Producer only. I'm guessing this is when Emma Watson started being open to other options to play Beauty (she was fairly vocal about her enthusiasm for the story and the part).

And now it's official. Emma Watson will officially be a Disney princess. (And is no longer attached to the del Toro project - of which there appears to be little-to-no news, unfortunately, other than the lovely note that del Toro gave his blessing for Disney to hire Watson away from his project.)

Which is REALLY interesting because... she's recently been in the headlines for HeForShe, real feminism = real equality campaign, as an ambassador for UN Women.

Why is this interesting? Because, in true equality style, Emma Watson strongly expressed her concerns for men as well as women, which means, you can be sure she's going to be critiquing the script from a true feminist standpoint (ie. equality for all) both how Belle is portrayed and developed, as well as the Beast.

I think this is partly why it's been such big news. Ms. Watson became a social media darling with her outspoken yet diplomatic equality speech, all while looking like the fashion icon she's become. Now she's everybody's favorite feminist and, in many ways, the new American & UK (and the world's!) "sweetheart".

But what will this mean for a Disney live action version of Belle?

Will there be overt changes to the story and character developments, or will it mainly be in the form of shifted nuances? We shall see, but for a story that sits, for most viewers on either one side of the spectrum (empowered female taking charge of her life and learning) or the other ("disguised Stockholm syndrome"), rather than somewhere in between, it's a tough and brave call to take up this role and not compromise yourself. (You know critics as well as both "feminazis" and anti-feminists will be going over this with fine tooth comb!)

I know I will be watching the development of this one because, while I understand how it is the favorite tale of many fellow fairy tale friends, I will admit that I am not completely comfortable reading the story* - any version of it frankly.

The TV show Once Upon A Time ("parented" by Disney) hasn't helped at all with the Disney interpretation either. It has Disney's version of Belle paired with Rumpelstiltskin as her Beast (an fairly fresh twist as a concept) and although, again, I understand the popularity of the couple by the "Rumbelle" fandom, for most of the show, Belle (to me) appears stupid for putting up with what she does and for not seeing the constant negative patterns. Putting a sword in Belle's hand from time to time, or showing her dark bondage-y side* doesn't balance this out. It just makes her seem even more stupid! (I was so very relieved when Belle finally forced Rumpel over the town line, never to return, though it hurt her so - one of the best performances of this "Frozen" season - though we know he will return, because this is OUAT after all...)


Other than that we know... it WILL be a musical! (Singing lessons, dancing... see her Facebook announcement above for the exact wording hints.)

And what of the Beast?

There is no news yet on how the Beast will be portrayed/handled and perhaps that's also due to the part still being written. There are many ways the handling of the Beast could go, though (CG/human hybrid tech, CGI with voice actor, prosthetics plus, animal/hybrid-animal with voice actor, human-behaving badly... the possibilities are only limited to your imagination really), as far as the story goes, we can expect it not to deviate too much from the original Disney classic. At least, not in quite the way Maleficent did from Sleeping Beauty (those two films shouldn't really be considered versions of each other at all - more like distant relations!)

Perks of Being A Wallflower author, Stephen Chbosky is officially on to take up the challenge of the script.

And we will (all) be watching...

In the meantime, it's time to bring this image out of the archives again:

* And this is from someone who views Snow White as being quite empowered in her own historical, seven year old way!
** Yes, Bondage Belle: did you miss that twist in the previous season? That actually seemed to start dealing with more of the issues than the regular sweet Belle ever has, though they backed off from facing anything head on, before Belle turned into sweetness-and-light again.

First Casting for Sofia Coppola's "The Little Mermaid" Makes Waves

The Little Mermaid by Edmund Dulac

Normally I don't bother with casting news unless it appears to be an indication of the direction the tale is going in. This announcement for Sofia Coppola's The Little Mermaid, though, would seem to do just that.

Although it isn't for the lead or any other main character, the casting news for "Sister #4", is already causing a lot of interest. Why? Because Sister #4 (likely a mermaid) will be played by fashion sensation and Australian model, Andrej Pejić.

(Even I've heard of Andrej Pejić!)

Why the big deal? Isn't the addition of pretty people an almost foregone conclusion with the-filmmaker-beloved-by-fashonistas, Sofia Coppola?

You may remember that Ms. Coppola's version of The Little Mermaid is not the Disney one. It's to be based on the Hans Andersen story. And you may also remember that HCA is thought to have written the unhappy story, based on his own unrequited love for another man.

The Little Mermaid has become THE fairy tale for the LGBT community (especially since Disney created their popular version and many people, often for the first time, saw a lower body transform and identified very personally with the agony of being "caught between worlds"), and Hans Andersen's own struggles go a long way to making that a valid interpretation.

Where Andrej Pejić makes a difference by being included in the casting is in being the world's most famous androgynous model, modeling both female and male clothing on the catwalk and being the current fashion poster child for the transgender community. Pejić was ranked number 18 in the Top 50 Male Models of the world in 2011 as well as being included in FHM's 100 Sexiest Women in the World, the same year. Self-described as "living between genders" and indicating a preference for female pronouns, she has never shied away from the controversy surrounding her gender or status, and although, 
1) there's no doubt Pejić is ridiculously gorgeous as male or female (or between) and
2) Pejić has done a small amount of movie/film work before, 
casting her for inclusion in this particular project by the talented, smart and very aware director, Sofia Coppola, is no accident.

While it remains to be seen what direction the film will go and which themes are focused on in the story, at the very least, Ms. Coppola has essentially announced that this film is inclusive for all who see it as "their" film, even if this is the only nod the LGBT community.

It will be very interesting to see whom else will be part of that world...

Source: HERE
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