Showing posts with label theater. Show all posts
Showing posts with label theater. Show all posts

Theater: Come to the "Goblin Market"! (For 3 Nights Only)

Illustration by Dante Gabriel Rossetti, image from poster for Goblin Market 2015 production by Theatre GRU
"There is no friend like a sister."
(Christina Rossetti - "Goblin Market")

Christina Rosetti's fairy poem Goblin Market is beloved by many and often given consideration alongside other literary fairy tales as its own layered masterpiece. While it's not the first time it's been adapted for stage, I haven't seen performances crop up often at all the last decade in the US, which is sort of unusual when you consider just how popular the poem is, and how often it's taught at universities with theater companies attached.

This adaptation is by Patricia Pace and will be performed at The Maxwell Performing Arts Theater in Augusta, Georgia, Thursday through Saturday nights for this week only. With tickets $10 and under, if you love the poem, fairy tales and are in the area, this is worth considering for a night out.

From the Press Release:
Goblin Market 
by Christina Rossetti 
adaptation by Patricia Pace 
adapted and directed by Melanie Kitchens O'Meara 
Visually stunning and ripe with sensuous language, Christina Rossetti's poem Goblin Market is performed by six Victorian actresses between occasional rests in The Green Room. Patricia Pace said, "the adaptation investigates the many layer's of meaning in the poem -- a children's cautionary tale, a rebuke to the new commodity market in Victorian England, a religious allegory, a poet's wish for a female literary tradition, a fantasy about women caring for other women."*Contains mature content.
Illustration by Arthur Rackham
As Dr. Amanda M. Caleb, assistant professor at Misericordia University, said at a storytelling gathering earlier in the year, in which she spoke about fairy tales and how they relate to social issues:
“Rossetti’s poem is one that has intrigued me since I first read it as an undergrad, as it has so many possible interpretations: we might read it as a religious allegory, a tale of female solidarity, a critique of laissez-faire economics, or a warning about food adulteration — I really appreciate the depth of the tale!”
I found a little background on the play in an article published a couple of days ago and am putting the highlights below to give you a better idea of how the poem is being translated to stage for this production.

From The Bell Ringer (GRU):
Illustration by Dante Gabriel Rossetti
O’Meara, who is directing the Georgia Regents production of “Goblin Market,” said she acted in Pace’s adaption of the play when she was an undergraduate. She said she wanted to take the play further, readapt it and add things to it. “I knew that one day, once I had a position somewhere, that I would want to direct it myself,” O’Meara said. “The play follows these six women who are Victorian actresses, and they are on stage performing this Victorian poem and then we see them backstage dealing with women’s issues of the time.” O’Meara said the poem may seem lighthearted, but has a much darker side to it. “Some people would argue that this is a poem for children, but it’s not,” O’Meara said. “It’s very much not for kids.” 
Arthur Rackham
“(Lucette) is the one who … has a semi-masculine role,” Farmer (who plays Lucette) said. “She is a little older (and) she’s a little more experienced. She’s a really fun character to play when it comes to the actual poem part, because she’s playing a goblin – and being a goblin is really fun because I get to do really crazy, ridiculous things.” 

“(Dame Miriam is) sort of the leading actress of the company,” Owens (who plays her) said. “She’s very flirtatious, always making jokes, but she’s also the comforter.”
Farmer said she hopes the audience will see the greater meaning behind the play. “It is both a fun play to watch and listen to,” Farmer said. “But it does have some deeper meanings going on, and it’s really fun to find those deeper levels when you’re in the midst of laughing at a situation that you didn’t realize was... a pretty serious topic. It’s great fun.”
 
The play is performed by an all-female cast and will be close to 70 minutes long without an intermission.
If you get to see it, why don't you let us know? We are very curious for we would like to go to the Goblin Market ourselves...

Family Theater: "The Brothers Grimm & A Showgirl" & "Cinderella Italiano"

Despite the implication in the name, The Brothers Grimm & A Showgirl is a family theater production and has a short run starting TONIGHT. Pantochino Productions Inc ("ridiculously entertaining") is an award winning professional non-profit family theater productions company specializing in family friendly musical theater with a large dollop of fun.

From the New Haven Register:
The show features spoofs and goofs of favorite fairy tales such as Snow White, Little Red Riding Hood, Rapunzel and Sleeping Beauty. In the play, the Brothers Grimm arrive to perform their stories and are taken by surprise when a sequined and feathered Showgirl appears and helps tell the tales in her own special way.

More information can be found on the Facebook page HERE and at the Pantochino theater company website HERE. You can see some photos via BroadwayWorld HERE.

The company is also staging an intriguing production titled Cinderella Italiano. Cinderella Italiano begins on April 24th, 2015.
                   

"The Robber Bridegroom" Bluegrass Musical Returns

Greensboro College Theatre poster for current production - note the silhouettes in the design
Illustrations either side by Barry Moser for the 1987 edition of Eudora Welty's book

"... A charming bridegroom by day and a suave robber by night. Rosamund is the poor little rich girl who loves him. Salome is the wicked stepmother who tries, and largely fails, to throw a wrench (and even a poisoned apple) into the works... If this sounds like the makings of a fairy tale, that’s because it is: a Grimm fairy tale, no less, adapted into a Southern Gothic classic by Eudora Welty before being turned into a manic bluegrass musical comedy...  Greensboro College is staging the rarely-performed musical adaptation of "The Robber Bridegroom..."
I'm going to squeak notice of this show onto the blog late today, even though tomorrow (Sunday, February 22) is the last day it's showing, because just the fact that this exists and is back in performance circulation is good fairy tale news! (And you can keep an eye out for it in future too.)

Yes. The musical is based on the Bluebeard-related fairy tale The Robber Bridegroom (more specifically, on Eudora Weltey's Southern Gothic novel, which was based on the fairy tale - text is HERE), and is comic, a little bawdy and full of bluegrass music. In other words, it's probably not quite would you would expect if you're familiar with the tale. (I've included a number of different posters for the musical, along with the current one, to give you a better idea of the tone.)

In case you've never heard of the musical version you should know this is considered quite a unique, though oft-forgotten, masterful work, among musical theater folk. It helped launch the careers of Kevin Kline, Patty LuPone and Barry Bostwick (the latter earning a Tony that season for Leading Actor in a musical).

From some older productions here's a cobbling together of some different summaries to give you an idea of the show:

Set in eighteenth-century Mississippi, the show follows Jamie Lockhart, a rascally robber of the woods, as he courts Rosamund, the only daughter of the richest planter in the country. The proceedings go awry, however, thanks to a case of double-mistaken identity. Throw in an evil stepmother intent on Rosamund's demise, her pea-brained henchman, and a hostile talking head-in-a-trunk, and you have a rollicking country romp.It has one foot in the Southern Gothic tradition, the other in a fairy tale, and an arm gleefully waving about in comedy. 
The music is one of the only genuine bluegrass scores ever heard in a Broadway musical: challenging fiddle melodies that twist, turn, and gather velocity like a hare escaping a panther, only to slide back down into the warmth of a quiet Southern night. With its distinct sound, colorful cast, and unique form of storytelling, "The Robber Bridegroom" is a hidden gem!
In case you have this evening free and are in the area, here's the information on the tickets:you can get more information on the times and tickets HERE. 
From the Greensboro Theatre press release: 
"The Robber Bridegroom"'s book and lyrics were written by Alfred Uhury, the Pulitzer Prize-winning author of "Driving Miss Daisy," and were based on a 1942 novella by Eudora Welty. Music is by Robert Waldman. Opening on Broadway in 1975, this rousing, bawdy Southern fairytale has gone on to become a regional favorite. As Broadway historian Peter Filichia puts it, "This is a favorite show of many people who hate musicals, because it eschews the more obvious conventions and has no trouble being its unpretentious self."
The Robber Bridegroom, small illustration by Walter Crane from Household Stories by The Brothers Grimm


Sources: HERE, HERE & HERE.

Fairy Tale Bonus of the Day:
Here's a link to the full background and analysis of the musical The Robber Bridegroom, by Scott Miller. It's quite lengthy but very readable and extremely fascinating, asking all sorts of great questions about men and women, relationships and how we view sex. With regard to current pop culture fascinations, specifically, 50 Shades of Grey, and Bluebeard tendencies to continuously rear their head, no matter how modernized, liberated and equal opportunity we believe ourselves to be, this is a good article to reference. Why? Because this is exactly what the musical is all about. The manner of the telling, with a large dose of tongue in cheek and folklore flavor, actually makes the material easier to consider and discuss. So if you're interested in Bluebeard, check out the article. You won't be disappointed. 
You can click HERE to read it.

School Transformed into Snow Queen Scenes - Kids' Grades Soar in Response

From The Snow Queen illustrated by Vadislav Erko - note all the tools of learning in this illustration
Wow. I wish kidshad the opportunity to learn like this! There's not a whole lot of information about this event, other than a very short piece in a local paper but it's a fantastic example of immersive learning and teaching through the arts and fairy tales to foster excellence in students.

The whole idea of using the setting to immerse student senses and live storytelling is to engender learning of often-challenging subjects for kids. And it works. It really, really works!

Here's the short report:
SCENES from Hans Christian Andersen's Snow Queen turned St Mary's Church of England Primary in Stansted into a fairy-tale world. 
Pupils felt like they were stepping into a storybook after staff gave the primary a revamp during a (pupil free) day. 
It set the backdrop as children started a two-week project basing all their literacy and artwork on different versions of the much-loved story. 
They were treated to a performance of the play by Quantum Theater, paid for by the school's PTFA. 
"Seeing the school transformed was a wonderful surprise and caused great excitement," said Kate Maginn, English co-ordinator. "All the children produced quality pieces of writing and art, whatever their age."
(Source HERE)
Congratulations to the caring and motivated parents and teachers who worked so hard on their pupil free day, made this happen and brought Quantum Theater into the school to bring the story to life to boot!
Not coincidentally, this type of education is exactly what Quantum Theater is all about. They're specifically set up to amp education via stories, fairy tales and theater. The idea is to help kids learn the basics, like reading, writing and maths, to enjoy the process and to get excited about learning even more. It's such a brilliant program. If I were wealthy I'd make a point of expanding their company so they can reach more kids.Here's more from the "About Us" section of Quantum Theater's website (we need these guys overplease!):
Quantum Theatre for Science was founded in 1988 as a direct response to the lack of educational drama available to schools on the subject of numeracy and science. Over twenty years on, nearly three thousand schools each year see Quantum performances, using them to introduce or re-enforce these topics, making Quantum Britain's foremost science and numeracy-based theatre-in-education company.
Our customers have come to rely on Quantum's characteristic style; educational elements combined with pacey, humorous musical theatre. Our aim is to make the world of science and numeracy accessible and relevant to children's everyday experiences by bringing it "to life."

                   
If you're wondering "Why Snow Queen?", there's a lot to work with in the story, with everything from each season getting a showcase through to the idea of puzzles, math and logic (not to mention writing on a fish!). I don't know how the play was written for the show to be specifically focused on reading and writing and more but whatever they're doing, it clearly worked. Works. They're still touring around other (lucky) schools.

Could Quantum Theater (and the happy teachers and parents at St. Mary's Primary) please come have a chat with my son's school, so the kidscan also learn this way? I'm lucky if I get to do a proper storytelling for our kiddos, let alone transform the school for a unit!
Note: photos are from St. Mary's Primary and from the Snow Queen production by Quantum Theater (found on their Twitter account).

*We did a little of this in the Children's Theater I worked with but not to the extent of working with the education system directly. We would try to incorporate learning principles ourselves but it's so much more effective if teachers, parents and guests are working together!

"The Light Princess" (A.R.T. Institute) Flies Into New Victory Theater

Poster from original production by A.R.T.
It's so interesting to see all the different stage versions of this fairy tale. George MacDonald's fairy tales (full text of The Light Princess is HERE) seems to have come back into public consciousness again in recent years with Twyla Tharp's work (contemporary dance), Tori Amos' musical theater adaptation (the photos look amazing! I will have to do a catch up post...) and now the A.R.T. Institute are presenting their version.

Note: this is one of many current family theater offerings advertising their "sensory friendliness" so for sensitive children and kids dealing with autism, this is produced to be as enjoyable for all as possible.

From the press release:
Can a girl who can’t fall at all, fall in love? The Light Princess follows the journey of a young princess cursed to live without gravity in a new musical from A.R.T. Institute.  
Funny, romantic and buoyed by whimsical original songs, The Light Princess is an enchanting tale for all ages, running at The New Victory Theater from February 27th to March 8th, 2015.
In this delightful musical by writing duo Lila Rose Kaplan (Wildflower, Second Stage Theater; Biography of a Constellation, 2009 National Science Playwriting Award from the Kennedy Center) and Mike Pettry (2012 ASCAP Foundation Harold Adamson Lyric Award winner for musical theater and a 2007 Jonathan Larson Award winner), two witty wisemen sing a story of a young princess cursed by a wicked witch to float through life indefinitely.
With direction by Allegra Libonati, The Light Princess comes from a widely lauded and popular run at the acclaimed American Repertory Theater (Artistic Director, Diane Paulus). Accompanied by live, onstage music and cleverly choreographed byJeffrey Kuperman and Rick Kuperman, our young heroine twirls above the stage, through the kingdom and into a magical forest as she searches for a way to come back to earth by her sixteenth birthday (or be doomed to defy gravity forever!).
Based on the nineteenth-century Scottish fairy tale by George MacDonald, The Light Princess features actors from the A.R.T. Institute for Advanced Theater Training at Harvard University.
Here's the entertaining trailer. It certainly looks like a lot of fun for actors and audience!
I like this trailer from A.R.T.'s production the year before as well. It gives a different overview (and the actors will be different), but if you're not familiar with the story or production , this may fill in some gaps:

The performances run from February 27th through to March 8th, 2015 and the The New Victory Theater in New York, NY.

More information and tickets can be found HERE.


Fairy tale bonus of the day:
Here's a lovely illustration of The Light Princess by Alteya of deviantArt.

Theater: Kabuki "Pinocchio"


This makes complete sense to me. So much so I have to wonder why I haven't see someone do it before... 

(Note: apologies for the weird formatting below - I could not get Blogger to behave today!)

Here are some excerpts from a wonderful article in the Boston Globe:

A Kabuki-influenced version of “Pinocchio” may strike some as the sort of theatrical experiment best suited to an avant-garde troupe performing in a dimly lit basement. But Wendy Lement and Steven Bogart... promise all the laughs and tugged heartstrings traditional to the tale of the wooden puppet who wants to become a real boy, along with some new shading. 
“When we went back to the original story, I was startled at how funny it is,” says Lement, Wheelock’s producer and co-artistic director. “It’s both hysterically funny and very dark in places, and both of those are combined in 
Kabuki.” 
Kabuki is a highly stylized form of traditional Japanese drama involving singing, dancing, and elaborate costumes and makeup. With performances through Feb. 22 at Wheelock, this “Pinocchio” is a world premiere version of the story of the mischievous creation of the poor puppeteer Geppetto. 
...But if it was not set in Pinocchio’s native Italy, then where? Soon she and Bogart discovered their mutual experience with Japanese theater.... They saw how masks and transformations were common to Japanese theater and “Pinocchio,” the 1880s novel by Carlo Collodi that spawned countless adaptations, including Disney’s classic animated film. 
“We’re not Kabuki experts, we’re not doing pure, traditional Kabuki,” Bogart says. “We’re Kabuki influenced, Noh influenced, even Butoh theater-influenced, pulling all of these elements in to create the story.” 
So audiences will face a stage backed by sliding screens, not unlike those in a traditional Japanese-style home, thatcan be moved to change the scene. Movement and dance and masks will echo Japanese styles. The band on an upper deck of the set will include a skilled player of the shamisen, a traditional three-stringed Japanese instrument. And as for the marine creature in whose belly Pinocchio ends up . . . 
“In the novel, the whale is not a whale, it’s a dogfish. I don’t know how big a dogfish is, but the Disney version turned it into a whale,” Bogart says. “We did some research and found a character, Namazu, in Japanese mythology, which is a giant catfish. It’s so big, it’s controlled by a god, and when the god is not paying attention, Namazu creates earthquakes and tsunamis.” 
You can read the rest of the wonderful write-up of the show and how it was inspired and created HERE. 
I wish I were able to see this! Unfortunately, I will have to settle for some photos and perusing the many costume designs posted on the Wheelock blog for now, but if you get a chance to see it, do let us know!
PINOCCHIO
Based on the book The Adventures of Pinocchio by Carlo Colladi. 
World premiere of an original adaptation by Steven Bogart and Wendy Lement. 
Influenced by Japanese theatrical traditions, Pinocchio’s adventures are told through mystical creatures, live musicians, and gymnastic choreography, making the transformation of an animated puppet into a real live boy, a magical, dynamic, and deeply moving experience. WFT’s Pinocchio will surprise and delight audiences of all ages. 
Playing January 30th to February 22, 2015
Wheelock Family Theatre is located in Boston, MA, USA.

You can follow Wheelock Theatre on their blog HERE and on their Facebook page HERE, and they've included a useful study guide for kids on Collodi and Pinocchio HERE as well.

"Disenchanted" Goes Off-Broadway

A brief announcement from Broadway.com:
Who needs princes or glass slippers anyway? After a successful limited engagement off-Broadway over the holidays, fairy tale musical lampoon Disenchanted! will return to New York for an open-ended run. The comedy will begin performances on March 16 at Westside Theatre Upstairs. The cast and opening night will be announced shortly. 
Featuring a book, music and lyrics by Dennis T. Giacino and directed by Fiely A. Matias, the tuner features your typical “princess posse” in a show that’s anything-but-typical. Snow White, Cinderella, Belle and more toss off the tiaras and get real in a not-for-kids musical where fairy tales will never be the same.  
And here's a couple of excerpts from a comprehensive overview to give you an idea of what this is about, in case you haven't heard of it before:
In the Disney movie, Pocahontas is hot. She has flowing, silky hair that reaches her waist, which is as big around as her forearm. She has large breasts and wears a short, tight dress. When she meets John Smith she falls instantly in love. In real life Pocahontas was a hero. She bravely saved people's lives and died very young. She was not especially attractive. When she met John Smith, she was 10 years old. 
In a song in the middle of "Disenchanted," Pocahontas sings about that disparity. Why, she asks, was such a life story not good enough? Why did Disney have to turn the valiant child into a curvaceous adult? 
It's on of the most substantial and poignant moments in "Disenchanted," with a beautiful performance by Lulu Picart as the "real" Pocahontas. The rest of "Disenchanted" is a lot sillier than that song, but the entire show is smart, very funny and even subversive. 
...The idea behind the show is that a bunch of iconic female characters from fairy tales, folklore and history are unhappy with the way they're been portrayed in pop culture. They're tired of being depicted as helpless Barbies in distress who are just waiting for their prince to come.

Read more here: http://www.bradenton.com/2014/02/16/4993751/review-disenchanted-is-huge-fun.html#storylink=cpy
You can read the rest of the review, along with more pros as well as it's cons as a show still in the making, HERE. 

This is scheduled for an "open-ended run" off-Broadway, which says a lot about how successful it was. I'm curious to see how big a press covering it will get in 2016 when it is scheduled to start touring nationally. International shows are currently in development too so that will be interesting to keep tabs on as well.
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