The Steadfast Tin Soldier Shigeru Hatsuyama for Thumbelina (and other tales) (Japan, 1925) |
If I were fancy and extra organized I'd start a whole series or regular feature on this topic. As it is, I will just add a new tag: #PopFTDiscussions (aka #GOLD!) Hopefully this new tag will have a lot of use in future...
So what incited this particular one, you ask? It was The Mary Sue's article "Anthropomorphizing the Mundane: Five Fictional Objects that Messed Us Up" by Sara Goodwin. Under the following picture of the Brave Little Toaster, the article begins:
I was one of those kids who was absolutely convinced that my toys came to life when I was asleep and led full lives. Not only that, but I can remember getting out of bed to put a pair of shoes together so they wouldn’t have to spend the night alone. ... anthropomorphizing objects has been going on for many years in many cultures. Who doesn’t cry when they think about The Velveteen Rabbit and how badly he wanted to be real?
"Tsukumo-gami, Spirits of Used Articles" by ITO Jakuchu (1716-1800), Japan |
Was Mary Poppins' Umbrella 100 yrs old? |
Interesting note: the most popular image representing Tsukumogami in general is an animated umbrella... *turns to look at Mary Poppins suspiciously*
In Japanese culture, there is a concept called Tsukumogami, which is popularly used to refer to an object that has reached its hundredth birthday and become alive. There seems to be a bit of a divide between the religious interpretations and the popular culture use of this word, but from what I can tell from some quick Google research is that it was commonly associated with religion in the past and has been adopted by modern cultures to describe a kind of anthropomorphism.
It continues being a great read, complete with a list of Brave Little Toaster-like cousins we've all had tug at our heartstrings, so I suggest you hop on over there and read it in total. It succinctly looks at anthropomorphized objects on film we came to love, then cried for (hilarious), but then I began reading the comments and lo and behold, Hans Christian Anderson's name appeared, and not without a little rage attached! #painandtearsUsing animals, objects, etc. to tell a story can have practical uses beyond making us cry when we see a lamp that looks like that adorable, hopping Pixar lamp lying in a dumpster.
The comments number well over 100 so I'm posting the HCA portion of the discussionfor your perusal. You can always go to the original page and join in the discussion if you become so inclined!
(Note: I have bleeped and asterix'd some of the language for gentler sensibilities and in an effort to redirect nastier versions of spam far, far away... and be warned that the spacing between comments is really, really weird. I don't have time to transcribe it all so it looks neat etc so please bear with the copy and paste results!)
by Kay Nielsen |
Studio Soyuzmultfilm in 1976 |
Thank you Ms. Goodwin. I will never forget that throwaway comment now. It's fits so very,very well.. (Sorry Mr. Andersen. It was bound to happen when you made us love your characters and then- *neck slicing motion with SFX*!)
Here is an evil IKEA commercial (brought to our attention by the same Ms. Goodwin) that will not help you at all: